Home » Nobukuni Enami – Japanese photographer of the early 19th and 20th centuries

Nobukuni Enami – Japanese photographer of the early 19th and 20th centuries

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Nobukuni Enami was a Japanese professional photographer born in Edo (present-day Tokyo) in 1859.

Better known as T-Enami, he studied under the noted photographer Kazumasa Ogawa (Isshin) from 1885 to 1890. A couple of years later, he moved to Yokohama to set up his photography studio on Benten-dori Street.

Self-portrait of Nobukuni Enami ca. 1898-1900

Color photography had not yet been invented, so the practice of hand-coloring black and white photographs or glass slides became common practice, resulting in Yokohama’s characteristic photographs and a tourist export item. on a par with ceramics and lacquer.

Street vendor (attributed to Enami)
The Maker of Geta, Clog and Sandals (Hand Colored Photo)

From the late 19th century to the early 20th century, many foreign tourists came to Japan and bought pictures taken by local photographers for tourists. The photos showed typical views of Japan from daily life, streets, landscapes, cherry blossoms to Japanese customs and local people.

Goldfish Seller (Vignette from a Slide) ca.1915-22
Children in Ancient Japan (Stereoscopic Image)

This technique makes the photographs look like paintings, a true work of art!

Tea Pickers (Vignette from a slide)

If they cross their eyes in front of the stereoscopic images they can be seen in 3D. It may be difficult to achieve, but it’s worth it ^^

Geisha reading (Stereoscopic image)

The following is my favorite ^^;

Drying the tea (Vignette from a slide)

With the arrival of foreigners, photographs and postcards became popular “souvenirs.” Enami sold tourist photographs, mainly photo albums containing around 50 photos.

Benten Street in Yokohama, where Enami’s studio was located
Juniten Temple at Honmoku (Albumen Print)
Mount Fuji from Kashiwabara (Albumen Print)

As a curious fact, it is not known for sure what the “T” in “T. Enami” represents. Some say that it is a trade name that apparently suited both Nobukuni and his son Tamotsu, who took over the studio when Enami died in 1929. Others say that the “T” could stand for “Toshi” since the kanji for “Nobu” in Nobukuni could also be pronounced as “Toshi.

Label of “T. Enami”
Enami business card ca.1900-1905

Enami’s work also includes black and white photographs depicting the icons of ancient Japan in highly artistic compositions.

Path to the Sanctuary (B/W Image)
“Souvenir” seller (B/W Image)

There are many places where Enami’s work is preserved; university bookstores, local archives, private collections and photography museums. His photos and images are part of several books dealing with photography and is one of the best examples of early 20th century photography in Japan and in the world.

Bridge in Takinogawa (Albumen Print)
The Antiques Dealer (Hand-colored Slide)
On the way to school (Hand colored image)

Enami was the only Japanese professional photographer known to have worked in all artistic and commercial formats of his day. Many are his contributions to the world of Japanese photography, the most important being the large format images, the slide lantern, the stereoscopic images and hand-colored photographs.

Geisha (Hand Colored Slide)
Mt. Fuji, Tree, Man and Snow (Hand colored image)
The Torii Tunnel in Kyoto (Hand colored image)

The following video shows what the images would look like in a stereoscopic.