Your cart is currently empty!
Kakushin Nishihara Explores Sound Expression with Traditional Japanese Biwa
The more you get to know Japan, the more likely you are to realize that many of the things you are familiar with in other countries also exist here, but with very particular, even unique variants. This is the case in fashion, food, family life, art, and without a doubt, music!
After a few weekends out at night, anyone is able to recognize the signature sounds of enka, traditional pop-style ballads, echoing through the walls of small karaoke bars. However, it takes more effort and time to learn about the original musical genres and styles that influenced enka.
Undoubtedly, waiting and exploring is well rewarded by the experience that will open our way. Eventually we will come across the biwa, an instrument somewhat reminiscent of the Western lute or mandolin, with its short neck and plucked strings, often associated with the poetry and elegance of traditional Japanese culture. It is believed that it arrived from China around the year 700, during the Nara period. Frequently used to accompany the telling of tales, and frequently used in the Japanese Imperial Court for hundreds of years.
View this post on Instagram
Kakushin Nishihara, a professional biwa player, has dedicated his life to the instrument, as a soloist and teacher. Their live performances display a unique dramatic narrative, creating a sonic atmosphere that words fail to describe. As an example, this presentation that he did with Serge Teyssot-Gay and Gaspar Claus.
Throughout the piece, the somewhat astringent atmosphere of the strings created by Serge and Gaspar introduce the energetic sound of the biwa in Kakushin’s hands. The artist sings in the traditional min’yō style, highlighting the role of the biwa in the narrative of the performance.
When questioned about the dynamic effect of the biwa, Kakushin answers without hesitation that the biwa has its own place in the world of music. Not strictly defined by rhythm, but at the same time, it allows the performer to move freely in the expressive space with the help of silences and sound.
We can also find moments of tonal dissonance. These are not by chance, they are an emphasis on the exploration of the artist and the people with whom she collaborates, seeking to grow in the creative field not limited by traditional harmony. This position is evident in the experimental mode in which he uses the biwa, creating “noise music” or music based on “noise”:
The result can be a bit abrasive, however, the colors that Kakushin brings out of the biwa with the help of electronic means are captivating. It is a different way to stimulate emotions through sound. Not at all something new in the world of contemporary music, but definitely a welcome addition to the repertoire that helps push the boundaries of sound and musical forms.
As with many artistic activities, the COVID pandemic has made it difficult to perform his concerts, which is why he is currently dedicating himself more intensely to composition and studio experimentation. We look forward to hearing the results of this time of introspection that you have had to develop your music towards new horizons.
If you would like to know more about Kakushin Nishihara, his music and his projects, we invite you to visit his official website where you will find all these details!